Roberto López Martín
Roberto López Martín
Príncipe, 2016
Escultura en tela y fibra de vidrio de la serie Homo Videns, Los Niños Tele.
130 x 30 x 30 cm
about Roberto López Martín
Madrid, 1982
His work is based on the approach to the propagation of the abnormal, which almost always has the object of the propagation of the norm, but, in addition, it creates this fascination for discovering this new form that we are observing, we could consider it as a voyeurism towards the morbid. Nowadays, what is beautiful or normal, and what is ugly and monstrous. Which figures are natural monsters or constructed monsters.
He work analysing the codes submerged in the images of the mass media, always working with representations that can often be iconic and indisputably manipulated, in a social consensus. Performance, video, photo, painting, everything can form part of a collage of information, which I use to talk about these images, about how they are degenerated and reinterpreted for one use, consumption. A spectacle that presents itself as an enormous irreversible indisputable positivity.
Other works of the exposition Selection by CULTURA INQUIETA'23
Mario Soria
Bring on the dancing horses (Parte delantera), 2023
Óleo sobre tabla y juguetes de plástico
43 x 51 cm
Roger Sanguino
Geometria est imago. (Retrato con geometría), 2019
Arcilla, resina, acero y alambre tensado
29 x 21 x 25 cm
KYM C
Kbloks evolution, 2020
Resina ecológica pigmentada fucsia. Peana de mármol blue violet.
6 x 24 x 6 cm
Pedro Peña Gil
Museum Hall Purple, 2022
Mixta, serigrafía con tintas UVI y resina epoxi pigmentada sobre madera lacada
180 x 180 x 4 cm
David Delgado Ruiz
Life in Mars. Strawberry Fields of Jupiter, 2021
Fotografía Analógica y Digital, Impresión Certificada en Papel Hahnemühle Photo Rag® Ultra Smooth 305 gsm · 100% Cotton. Museum Standard Cotton Paper.
50 x 50 x 1 cm
Salustiano
Tenderness Land. Luz con espada sobre tapiz rojo, 2022
Impresión en aluminio. Vitra alto brillo. Edición de 50
78 x 78 cm
