Isabel García Benito

Isabel García Benito | Entro todos

Isabel García Benito

Entro todos, 2022

Acrílico y óleo con resina de epoxi sobre madera

90 x 90 x 1 cm

about Isabel García Benito

Madrid, 1968

Isabel García Benito had a childhood surrounded by nature and youth, guided by a constant desire for adventure that led her to travel around the world. Graduated in Interior Architecture at EADE, Madrid (1990). She worked for many years as an interior designer in studios in Madrid and after several years decided to devote herself fully to painting, for this, she trained and worked with prestigious painters such as Jose Luis Ocio, Javier Pérez Prada and Consuelo Chacón. Her painting is contemporary, she mixes influences that she has had throughout her life and there is always a constant search for space. She always worked from abstraction, starting from a lyrical, colourful composition where there are no figurative elements or references to reality, and then only sometimes, once the process is completed, she is flooded with it.

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KYM C

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Resina ecológica pigmentada fucsia. Peana de mármol blue violet.

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Carmen Pastrana | Ensimismados

Carmen Pastrana

Ensimismados, 2022

Oil on wood

27 x 35 x 5 cm

Héctor Francesch | Sin título

Héctor Francesch

Sin título, 2022

Hierro policromado

70 x 40 x 18 cm

Elena Gual | Destreza

Elena Gual

Destreza, 2022

Oil on canvas

60 x 50 x 3 cm

Olga Gebhardt | Hermosas 3

Olga Gebhardt

Hermosas 3, 2021

Acrílico sobre lienzo

145 x 90 cm

Ryaskartstyle | ST.4

Ryaskartstyle

ST.4, 2022

Acrílico sobre lienzo

Patrick Hughes | Popse

Patrick Hughes

Popse, 2020

Impresión digital/papel

45 x 102 x 17 cm

Wu Wei-Ting | Merveilles Bleue #1

Wu Wei-Ting

Merveilles Bleue #1, 2022

Skylight, glass, stainless steel, mixed media

23 x 26 x 12 cm

Chamo San | Noia Amb Mobil

Chamo San

Noia Amb Mobil, 2022

Lápiz, carboncillo y pastel al óleo

40 x 30 x 4 cm

David Planas | Solo mírame

David Planas

Solo mírame, 2022

Mixta (óleo, acrílico y resina sobre madera)

85 x 52.5 cm

Noni Lazaga | La era gaseosa 1

Noni Lazaga

La era gaseosa 1, 2012

Fotografía y dibujo digital sobre tela

70 x 105 cm

Pedro Peña Gil | Museum Hall Purple

Pedro Peña Gil

Museum Hall Purple, 2022

Mixta, serigrafía con tintas UVI y resina epoxi pigmentada sobre madera lacada

180 x 180 x 4 cm

Roberto López Martín | Príncipe

Roberto López Martín

Príncipe, 2016

Escultura en tela y fibra de vidrio de la serie Homo Videns, Los Niños Tele.

130 x 30 x 30 cm

Salustiano | Tenderness Land. Luz con espada sobre tapiz rojo

Salustiano

Tenderness Land. Luz con espada sobre tapiz rojo, 2022

Impresión en aluminio. Vitra alto brillo. Edición de 50

78 x 78 cm

Thierry Auger | Oups

Thierry Auger

Oups, 2021

Técnica mixta

100 x 100 cm

Megan Gabrielle Harris | Sunkissed

Megan Gabrielle Harris

Sunkissed, 2023

Acrílico sobre lienzo

122 x 91 cm

Candela Muniozguren | Acid Bang 07

Candela Muniozguren

Acid Bang 07, 2018

Lacquered steel

61 x 23 x 23 cm

Menchu Uroz | Micro Momentos II

Menchu Uroz

Micro Momentos II, 2022

Mixed media on board

20 x 20 x 3 cm

Mario Soria | Bring on the dancing horses (Parte delantera)

Mario Soria

Bring on the dancing horses (Parte delantera), 2023

Óleo sobre tabla y juguetes de plástico

43 x 51 cm

Raquel Algaba | Entre pensamiento y proyección

Raquel Algaba

Entre pensamiento y proyección, 2022

Cerámica esmaltada, madera y textil

130 x 100 cm

Fernando Suárez Reguera | Pelea I

Fernando Suárez Reguera

Pelea I, 2022

Bronce y hierro. Obra seriada 4/15 unidades

158 x 29 x 25 cm

David Delgado Ruiz | Life in Mars. Strawberry Fields of Jupiter

David Delgado Ruiz

Life in Mars. Strawberry Fields of Jupiter, 2021

Fotografía Analógica y Digital, Impresión Certificada en Papel Hahnemühle Photo Rag® Ultra Smooth 305 gsm · 100% Cotton. Museum Standard Cotton Paper.

50 x 50 x 1 cm

Roger Sanguino | Geometria est imago. (Retrato con geometría)

Roger Sanguino

Geometria est imago. (Retrato con geometría), 2019

Arcilla, resina, acero y alambre tensado

29 x 21 x 25 cm

Alejandro Monge | IS XXII

Alejandro Monge

IS XXII, 2022

Cemento, fibra de vidrio y pigmentos

40 x 30 x 25 cm

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