RAÍCES AFUERA. PERFORMANCE CYCLE X ART MADRID'25

Art Madrid celebrates twenty years of contemporary art from March 5 to 9, 2025, at the Galería de Cristal of the Palacio de Cibeles. During Art Week, it becomes an exhibition platform for national and international galleries and artists. In this edition, with the aim of providing a space for artists working in the realm of performance art, the fair presents Raíces Afuera, a performance cycle that explores notions of belonging and the need for rootedness in a contemporary world marked by fragmentation, displacement, and disconnection. Positioned within the fair as a critical and reflective space, the project challenges the individual’s relationship with their environment, community, and sense of identity.

PERFORMANCE: ESE ENTORNO ENDURECE MI PIEL. BY RA ASENSI

March 8 | 19:00h. Galería de Cristal of the Palacio de Cibeles.

Asfáltica Ciudad. Ra Asensi. Photograpy Irene Zottola.

Ese entorno endurece mi piel is a performance that takes place through sculptural pieces made of oxidized corten steel and seawater. These bodily extensions function as second skins. They are activated through touch, generating sounds. Together, they form a kind of poetic cartography. These pieces have been created from the imprints of various watery bodies, and through this process, they transform into maps of water.

"Life began in the sea, and our bodies have been engaged in various narratives about this origin story ever since. I am not interested in narratives that place 'the family' in its traditional role, but the ones about kinship in all its wonderful queer forms are still something I seek. That is the difficulty: to embrace queer narratives as a territory of connection and responsibility without reinstalling the old myths of dark continents, woman as matrix, and other power games of familial bonds." Astrida Neimanis

Ra Asensi. Performance documentation.

ABOUT RA ASENSI

Ra Asensi (Bilbao, 1989) creates artifacts as ways of (ex)tending the material limits of the body. This production is influenced by ceramics and its processes, performance art, photography, and sculpture.

Notable solo exhibitions include Objeto Inquieto at Fundación Bilbaoarte Fundazioa, Inadaptada Resistencia at Centro Cultural Montehermoso, and La lava que llevas contigo at TACA (Palma de Mallorca).

Ra Asensi’s work focuses on the creation of artifacts as a means to expand the material boundaries of the body and initiate collaborative processes. Their production is influenced by ceramics and its techniques, performance art, photography, and sculpture. Through their practice, they explore the relationships between body(s), technology(s), and nature(s), investigating how these elements interact and transform in different contexts.

Their works, interventions, and actions take place in various environments: Galería Fran Reus, 2024 (Palma de Mallorca); Art House Foundation Studio D, 2024 (London); 019-Ghent, 2024 (Ghent); Tabakalera, 2024 (Donosti); Colonia Industrial Cal Rosal, 2024 (Berga, Catalunya); Festival Mercurio/Instituto Cervantes, 2023 (Palermo); ECOS, 2023 (Sala Rekalde, Bilbao); BAP, 2022 (Guggenheim Museum Bilbao).

In free fall, I inhabit digital uncertainty. Agustina Palazzo

RAÍCES AFUERA. PERFORMANCE CYCLE X ART MADRID'25

Art Madrid celebrates twenty years of contemporary art from March 5 to 9, 2025, at the Galería de Cristal of the Palacio de Cibeles. During Art Week, it becomes an exhibition platform for national and international galleries and artists. In this edition, with the aim of providing a space for artists working in the realm of performance art, the fair presents Raíces Afuera, a performance cycle that explores notions of belonging and the need for rootedness in a contemporary world marked by fragmentation, displacement, and disconnection. Positioned within the fair as a critical and reflective space, the project challenges the individual’s relationship with their environment, community, and sense of identity.

PERFORMANCE: EL PESO DE LA CIUDAD LO LLEVO CONMIGO. BY AGUSTINA PALAZZO

March 9 | 17:00h. Galería de Cristal of the Palacio de Cibeles.

El peso de la ciudad lo lleco conmigo. Agustina Palazzo. Peformance documentacion. 2025.

The current urban landscape represents an environment saturated with symbols of modernity and technological “progress.” The television and radio antennas, which hover over rooftops, embody much more than their technical function. They emerge as markers of change, connecting generations to a global world, transforming urban life into a web of communication and entertainment.

This modification of the urban landscape has direct implications for the contemporary body, a body defined and altered through technology and its relationship with the environment. As Laura Barros Condés says in Habitar(se), “Technology has become an intrinsic part of individuals, largely through the body.”

Space itself is an organism that intervenes in the body. We experience an environment through the body, and inevitably, this relationship influences our way of connecting physically and psychologically, as well as the process of constructing identity. The body is defined and altered through its relationship with the environment.

The antennas, these inanimate objects that hover over the urban landscape, represent a powerful metaphor for an era saturated by technological mediation. Their abundant presence points to the paradox of connectivity that, while promising to unite us, fragments our attention and collective experience. As unnoticed monuments, they invite us to reflect on how technology redefines cities and our relationship with them.

El peso de la ciudad lo llevo conmigo seeks to make visible contemporary oppression—how industrialization, urbanization, and digitalization condition the construction of identity, stripping individuals of a vital connection and leaving an existential void in a body that inhabits the saturation of the urban landscape.

Radiorator II. Performance documentation. 2025. Agustina Palazzo.

ABOUT AGUSTINA PALAZZO

Agustina Palazzo (Córdoba, Argentina, 1992) is a multidisciplinary artist from Córdoba, Argentina. Based in Barcelona, her practice spans art, education, and cultural management within the context of the digital world and new technologies. Her work oscillates between the critical and the poetic, using emerging themes and technologies as creative tools in performance, sound design, and installation. Her artistic research is nourished by the relationship between communication, human behavior, and new technologies, creating experiences that question the boundaries of human behavior and the digital realm. She has participated in solo and group exhibitions, festivals, and residencies across Latin America and Europe. Some of her notable engagements include IMMERSIVA at Espronceda, Institute of Art and Culture (ES), Tsonami Sound Art (CHILE), Rake Community, art and research platform (UK), SONAR + D (ES), LLUM (ES), Teorema (ES), 220 Contemporary Culture (AR), Millesuoni (IT), Espai 19 (ES), among others.

Agustina Palazzo's work focuses on human behavior, desires, and misunderstandings, exploring the contradictions of the contemporary crowd caught between technological refinement and moral erosion in fragmented attention spans. It swings between the critical and the poetic, inspired by science fiction, utopia, and dystopia, but with an emotional sensitivity anchored in the present. Her practice moves across performance, installation, video, sound, and archive, using technology not only as a tool but as a symbol of a social and political condition.

Taking advantage of its poetic dimension, she blends digital and analog techniques with everyday objects, stretching their meanings. Sound and radio are recurring elements in her quest, but her language is expansive, crossing through the visual, performative, and sonic. Experimentation, process, and critical reflection are the core of her practice, inviting the viewer to question their relationship with the digital and the real.