Art Madrid'26 – THE ART MADRID ESSENTIALS

Art Madrid'20 has in this edition 41 galleries and more than 200 artists coming from all over the world will exhibit their work during five days in the Crystal Gallery of the Cibeles Palace.

With a wide and varied exhibition proposal, this edition has a thousand works among painting, photography, sculpture, installation and video art.

Art Madrid hosts works by emerging and mid-career artists as well as consolidated professionals with an outstanding international career, which allows us to observe a varied and broad proposal of contemporary art as a whole.

We have made a selection of the essential ones of Art Madrid so that you do not miss the must of this edition in your visit:

The metaphysical and ethereal photographs of Aqua Aura in the Luisa Catucci Gallery. The artist's personal training continues with trips inside museums, in research laboratories and through enormous spaces in the natural environment. His studies range from the field of astrophysics to particle physics, biogenetics, philosophy and psychology of perception. Thanks to the participation for the first time of the Berlin gallery Luisa Catucci we will be able to enjoy the work of this artist.

Aqua Aura

Museum Highlight The Basement, 2018

Impresión

153 x 96cm

Aqua Aura

Museum Highlights The Great White Hall, 2019

Impresión

153 x 96cm

Marta Fábregas and her series of "Colonized" women in the booth of Pigment Gallery. Her main talent is knowing how to capture in a quick and natural way the beauty that is in the things that surround us, that is why her works are so powerful. Putting the spotlight and the spark to everything that passes through her lens. Without a doubt, his empathy, involvement and creativity make each project he works on have a strength and character that makes it special and unique. We bet because his series of "Colonized" women will not leave the public indifferent with such a mixture of elegance, beauty and character.

Marta Fàbregas

Colonitzada nº52, 2019

Fotografía antigua, mix media sobre papel de acuarela sobre tela

130 x 100cm

Marta Fàbregas

Colonitzada nº61, 2019

Fotografía antigua, mix media sobre papel de acuarela sobre tela

130 x 100cm

Hendrik Czakainski's post-architectural panels with the Urban Spree gallery. The artist becomes a forensic architect, collecting evidence of disasters, past, present and future, incorporating them into large scale surrealistic compositions, creating three-dimensional landscapes that have become both empty of human presence and beautiful at the same time. His creations bring us to a state of contemplation by asking us if humanity is still part of the global equation or if the tipping point has already been reached; if a reversal is even possible.

Hendrik Czakainski

26390, 2019

Cartón y pintura sobre MDF

250 x 150cm

Hendrik Czakainski

Circle Crash, 2019

Cartón y pintura sobre MDF

156 x 88cm

The colorful works of Misterpiro in Galería Kreisler. After his beginnings in graffiti in his adopted city, he evolved in his studio towards watercolors, acrylics and water-based techniques. His technique is based on improvisation, where the aggressiveness of spray paint and the delicacy of watercolor are mixed in all types of support, creating a world that makes us travel from complete abstraction to the figurative.

Misterpiro

Meanwhile, 2019

Esmalte acrílico y spray sobre panel de madera

120 x 120cm

Misterpiro

Meanwhile, 2019

Esmalte acrílico y spray sobre panel de madera

120 x 120cm

Patricia Escutia's wire technique with the gallery Bea Villamarín. The artist participates with her work for the first time in Art Madrid. With a very personal technique where the wires resemble the lost words, "Transcriptions", she collects the lost messages of what has passed through our lives without leaving a trace; texts, notes, paintings, words... highlighting the lack of communication between individuals, when these belong to different realities. To highlight this fact, the artist creates a form of non-language that abstracts the system of signs used by human beings to communicate, which is materialized in an abstract, three-dimensional writing that turns these messages into a succession of empty lines of content.

Patricia Escutia

Page 53-54, 2018

Alambre e hilo de caucho sobre lienzo

81 x 124cm

Patricia Escutia

Page 50, 2018

Alambre e hilo de caucho sobre lienzo

73 x 60cm

Jorg Karg's photo collages at BAT Alberto Cornejo Gallery. The German artist has lived throughout his life an obsession with images. He takes, reorganizes and abstracts the photographic material, using an editing software, resulting in images full of surrealism and delicacy. His images, which are based on photographs of himself and others, are fragmented, superimposed and mutilated so that our eyes do the remaining work and compose a new picture full of beauty and sensuality.

Jorg Karg

Slow Rain, 2018

Impresión por pigmento bajo vidrio acrílico sobre dibond de aluminio, MÁS TAMAÑOS DISPONIBLES

80 x 58cm

Jorg Karg

One mile light, 2019

Printing by pigment under acrylic glass on aluminum dibond

80 x 76cm

Mari Quiñonero and her pastels on paper with the Taiwanese gallery Yiri Arts. The artist has created her own creative universe through different techniques that go from watercolor and acrylic to drawing and collage, to achieve her own quiet style where calm and order direct the look.

Mari Quiñonero

No.130, 2018

Pastel sobre papel

60 x 42cm

Mari Quiñonero

No.151, 2018

Pastel sobre papel

60 x 42cm

Luciano Ventrone and his extreme realism at the Italian Stefano Forni Gallery. Despite the fact that Luciano Ventrone is internationally recognized as one of the master realistic painters of his generation, he considers that his works are really about optics: "Painting is not about the mere representation of an object, but about its color and light". For each of his works, Ventrone carefully stages a theme under studio lights. Luciano's paintings "invite the viewer to an atmosphere of pure contemplation"; they are works of great skill and supreme aesthetic beauty. Ventrone shows things more clearly and distinctly than they appear to us in reality; everything is focused, everything is examined.

Luciano Ventrone

Profondo rosso, 2013

Oil on canvas

60 x 70cm

The sculpture by Nicolas Laiz with his series "Nopalia". The artist unifies the natural and the artificial, what is desired and what is imposed. He works on the reflection, through different techniques, of concepts such as landscape, exoticism and the construction of nature as a cultural, social and economic concept.

Nicolás Laiz

Nopalia III, 2019

polvo de mármol, resina, hierro y laca

95 x 43cm

Nicolás Laiz

Política Natural I, 2018

Resina, fibra de vidrio, aridos y pintura doble componente

80 x 30cm

Samuel Salcedo's amazing heads, 3 Punts Galeria. His sculptures and characters always question the viewer with their subtle irony and vulnerability. Salcedo's sculptural work is characterized by technical excellence. One can see his mastery in the diversity of the materials he uses (resin, wood, aluminum, bronze) and which he integrates into the painting.

Samuel Salcedo

Pinball Wizard 1, 2019

Aluminum

95 x 95cm

Samuel Salcedo

Toy Land - Mirror Mirror, 2019

Resina poliuretano policromada

27 x 10cm

 

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26