Art Madrid'25 – Palimpsesto: Doris Salcedo’s reflection on violence

Doris Salcedo. “Palimpsesto”, 2017.

 

 

Doris Salcedo’s (Bogotá, 1958) work is not conformist, not it seeks the comfort of meaning either. To the contrary. This sculptor uses art to reflect on the suffering of marginated, the impact of political violence and the mourning as a human process that provides dignity to all of us. “Palimpsesto” is a work that encloses the purest essence of the modus operandi of this artist, and it achieves to represent the violence without violence.

 

 

 

Portrait of Doris Salcedo. Photo by ©Rui Gaudencio, 2014.

 

 

The artworks of Doris Salcedo are large projects in which she invests a lot of resources, both of time and of intellectual efforts. Each piece is the result of a confluence of elements that put together personal experiences, research and reflection upon the sense of the artwork and its communicative value. But the aim is to make visible a deep message that highlights the value of human life in a tumultuous period where natural disasters, armed conflicts and social discrimination push millions of people to move, migrate and risk their lives.

 

 

 

Doris Salcedo. “Palimpsesto”, 2017.

 

 

Doris Salcedo does not leave anyone indifferent. Her sculptures, on the edges of the classic concept of this discipline, have received much attention from many cultural institutions at an international level, and some of the biggest museums have organised monographic exhibitions, as the Museum of Contemporary Art of Chicago (2015), the New Museum of Contemporary Art (New York, 1998), the San Francisco Museum of Modern Art (1999 and 2005) or the Tate Modern of London (2007).

 

 

 

Doris Salcedo. Design of the project “Palimpsesto”, 2017.

 

 

This time, the Palacio de Cristal will host a sculpture-installation that reproduces the names of millions of men and women as a way to represent the tragedy, nowadays already usual, of people dying into the sea during their desperate escape from their country of origin. The same day of the opening, the museum has organised a lecture with the artist who, together with Estrella de Diego, an essayist and full professor of the Complutense University of Madrid, will explain to the public the message of her proposal “Palimpsesto”.

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.