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Friday, Jan 31

art madrid

PAULA BLANCO: BETWEEN PRIMUS AND ORDIRI, OTHER FORMS OF NATURE

Paula Blanco (Oviedo, 1996) explores the forms of nature, connecting them with science, territory, and the environment through artistic creation. The mountains, the sun, leaves, and trees serve as inspiration to create structures with clay, pigments, varnishes, and fiberglass, resembling fragments of organic creatures. Each piece is not a finished work in itself but part of an evolving continuum, as she constantly experiments. Her sensitivity is skillfully channeled into her creations, which seem to pivot on the use of alternative techniques to traditional painting. She seeks to sublimate matter, separating the idea from the object. Her approach to abstraction is ethereal, expressing itself through landscapes and the places where raw materials originate.

Thursday, Jan 30

art madrid

Art Madrid: Now that the maps are changing

The contemporary art scene in Madrid, like the city itself, never stops evolving. Art Madrid, now in its twentieth edition, taking place from March 5 to 9 at the Glass Gallery of the Palacio de Cibeles, not only showcases the latest artistic trends but also invites us to question how we inhabit the world.

Tuesday, Jan 28

art madrid

GASTÓN LISAK: TO TOUCH THE OTHER, THE OTHERNESS, THE THINGS

Gastón Lisak (Barcelona, 1989) llega al arte conceptual a través de un camino muy vinculado a su experiencia docente, la impartición de talleres y la experimentación con creaciones colectivas. Su trabajo parte de una rigurosa investigación en torno a la arqueología mundana, sobre la transformación del objeto anacrónico. Su formación en el diseño le ha llevado a que muchos de sus trabajos estén relacionados con procesos industriales. Las técnicas de la industria aplicadas al arte, trabajar con desechos y convertirlos en frisos, da como resultado una serie de obras de enorme atractivo. Busca la belleza entre lo descartado, lo abyecto, cuestionando el concepto nuevo de hiperproducción. En definitiva, hacer que aquello que nos pasaría desapercibido nos detenga a observar. El juego está presente porque le importa el aprendizaje así como la recuperación de materiales.