RAÍCES AFUERA: PERFORMANCE CYCLE. ELÉONORE OZANNE. LAS FRONTERAS SIEMPRE TIENEN DOS LADOS
jueves, 6 mar. 18:00
Agenda
RAÍCES AFUERA. PERFORMANCE CYCLE. ART MADRID'25
Art Madrid celebrates twenty years of contemporary art from March 5 to 9, 2025, at the Galería de Cristal of the Palacio de Cibeles. During Art Week, it becomes an exhibition platform for national and international galleries and artists. In this edition, with the aim of providing a space for artists working in the realm of performance art, the fair presents Raíces Afuera, a performance cycle that explores notions of belonging and the need for rootedness in a contemporary world marked by fragmentation, displacement, and disconnection. Positioned within the fair as a critical and reflective space, the project challenges the individual’s relationship with their environment, community, and sense of identity.
PERFORMANCE: LAS FRONTERAS SIEMPRE TIENEN DOS LADOS. BY ELÉONORE OZANNE.
March 6 | 19:00h. Galería de Cristal of the Palacio de Cibeles.
Las fronteras siempre tienen dos lados is a work that encourages reflection on the invisible borders that shape our daily lives. Through the words "sorry" and "thank you", the author sets up a dialogue about how, in our everyday interactions, we are constantly faced with limits and distances—both physical and emotional. Every time we use these words, we are acknowledging a separation, whether it’s letting someone pass or asking for help in moments of discomfort. The work highlights how these small phrases, often repeated without much thought, serve as a way to negotiate our relationships with the world and those around us.

ABOUT ELÉONORE OZANNE
Eléonore Ozanne (Corbeil-Essonnes, France, 1990) is an artist and researcher working between France and Spain. She is a doctoral candidate in Fine Arts at UPV/EHU and Université de Pau et des Pays de l’Adour. Her work focuses on the relationship between the body and borders in everyday spaces. Through displacement, the multidisciplinary artist draws the concept of borders as physical limits or invisible walls that are crossed daily. She uses her body as the central axis of her work, exploring through actions, the movement through, across, or into predetermined spaces or times.
She has been awarded numerous residencies in Spain, Mexico, and Europe, including NauEstruch and CECDA in Veracruz. She has collaborated with artists such as Pilar Albarracín and is a member of the research teams Gizartea and Alter, where she actively participates in exploring ways to understand precariousness and displacement in the era of globalization. Her work has been exhibited at international festivals and venues, such as Matadero Madrid and Cidade da Cultura de Galicia. Additionally, she has published texts on art and precariousness in publishers like Dykinson and the University of the Basque Country.
PERFORMANCES:
March, 5 | 19:00h. Josefina Bardi. Ensayos de desplazamientos
March, 6 | 19:00h. Eléonore Ozanne. Las fornteras siempre tienen dos lados
March, 7 | 19:00h. Valentina Alvarado Matos. voy raspando la hoja y la voz
March, 8| 19:00h. Ra Asensi. Ese entorno endurece mi piel
March, 9 | 17:00h. Agustina Palazzo. El peso de la ciudad lo llevo conmigo
With the support of
